The one of the most important decisions you will make as a writer is what's going to be on the page, and what will be implied to the reader.
This works because attention is finite, and every detail you spell out competes with the ones that matter. Readers fill gaps automatically, using imagination that's more vivid than any description you could write. Show them a character's white knuckles on a steering wheel instead of writing "she was angry" — the gesture implies the emotion, and the reader arrives at it themselves, which makes it land harder than being told outright. That's the payoff: implication invites participation, and participation creates investment. But there's a real risk of overcorrecting into vagueness. Cut too much and readers aren't inferring meaning, they're just confused, flipping back pages looking for information you never gave them. The goal isn't mystery for its own sake — it's trust that a few well-chosen details will do the work of many.
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